" Where did you sleep last night?"
Now, I am no 'artist' ( should I be?) or a critic to write about this with authority. But I am touched enough to feel I got the right to!
Silke, the girl who feels for India/Indians or maybe just people or maybe life alone, is from Berlin in Germany and has been wandering around India. She's been to the Himalayas for sure, I know. And she travels alone. She is an 'artist' for sure too but fortunately she is also a very sweet person!. And yesterday I happened to visit her show, which I hear is called an 'installation'. An installation, termed 'Where did you sleep last night?'.
At first, when I entered the studio, I saw just a few crates piled up on one another. And I said to myself 'that's easy & now what am I supposed to understand?'. Instead, I first went picked a drink for myself, munched on the snacks...
And then I returned. Nervous about revealing my ignorance and even more nervous to make a politically incorrect statement ... I slowly went close to these crates and peeped in. And there I see the picture of Silke sleeping on the pavement midst of traffic. And suddenly the surrealistic nature of the event struck me.
Everyday, I see these scenes on the road. But never did I see a blonde lady in that place. And for a moment my heart melted at the possibility. She was fragile, alone, far from her country and lying there in the middle of local junta. What did people think? Is she making fun of us? Did they think they need to help her? Did they feel shame that they considered her being, while many of our own people pass besides our wheels each day without anyone 'disturbing' them? Or were they already full of their own little issues to bother about it?
For me, the circumstances, made me wonder. When did I put everyone who slept on the road, on pavements, in the cold, in the heat, into their autos into a box? And how often do I peep into it? The box, the contents of which, remain hidden from my other box - my other box, which includes my colleagues & friends and me. All of us who sleep within fourwalls, mostly privately. Who taught me how to store my world into different boxes? Was it a way for me to focus on one single box - defined by those watching me each day?
Should I break these boxes? But if I do that, what? It will only open doors to a world I cannot swim well in or deal with. I rather the doors I open lead into private places only... ones I can handle and which contain nothing that will interrupt my daily routine. Do I have the guts to let go all my wants and learn how to remain happy... as long as I get a place to sleep, eat food and dream? Is that more happiness or is it estrangement?
As I stood thinking all this, without any conclusion or consequence, I felt another sense. The studio was the big box of all of us! General viewers, Artist, critics, conoisseurs, students... Silke had painted the walls in the nice colourful schemes, that seemed to reflect the colours of Indian sarees, quilts, and those we find in shops - so that we could feel comfortable with each other and ourselves.
For our sake she also put the pictures of our ancient stories, so that our faith remains intact.
On the walls she was talking to us, so we could see her smile. But her heart - she had put into another box - into those wooden crates. Her heart and feelings connecting to an India, which she can feel for, wants to talk about... but one which must remain partly covered - until someone tells us how to break the boxes or how to remove those experiences out, without hurting the subject, herself or us.
Well... having said all this, its very possible that Silke is reflecting on the multiple options of living life. A house, car, and ownership of people & land may not be everyone's agenda. And she realises that. As long as you can sleep somewhere... one thing is for sure, the world is still your home. Wherever you may close your eyes.
Well all this is my interpretation only. Probably, far from what she wanted to say or communicate. But does it matter? As long as we have our own boxes to live in... ?